The Recognitions [Pdf New]

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  1. says: The Recognitions [Pdf New] Read The Recognitions

    The Recognitions [Pdf New] See the face on the book cover? That is my face now as I finish this book That was my face every step of the wayI

  2. says: The Recognitions [Pdf New] Free download È PDF, DOC, TXT or eBook ã William Gaddis

    The Recognitions [Pdf New] This book has me in its gripReading The Recognitions is like wandering in a labyrinth and around each corner there's a new revelation One feels a little lost at times but there are familiar sights Can we trust our guide?

  3. says: The Recognitions [Pdf New] William Gaddis ã 4 Download Read The Recognitions

    The Recognitions [Pdf New] Images surround us; cavorting broadcast in the minds of others we wear the motley tailored by their bad digestions the shame and failure plague pandemics and private indecencies unpaid bills and animal ecstasies remembered in hospital beds our worst deeds and best intentions will not stay still scolding mocking or merely chattering they assail each other shocked at recognition Shocked surprised and mesmerized

  4. says: William Gaddis ã 4 Download Free download È PDF, DOC, TXT or eBook ã William Gaddis Read The Recognitions

    Free download È PDF, DOC, TXT or eBook ã William Gaddis William Gaddis ã 4 Download The Recognitions [Pdf New] This book clearly influenced Pynchon and DFW and I would imagine Cormac McCarthy as well but it is pretty damn unreadable Looking behind The Recognitions many level that criticism at Ulysses Well Ulysses does reuire some work but the difference is that Stephen Daedalus as well as the Blooms are fantastic deeply moving and

  5. says: Free download È PDF, DOC, TXT or eBook ã William Gaddis The Recognitions [Pdf New] William Gaddis ã 4 Download

    William Gaddis ã 4 Download Free download È PDF, DOC, TXT or eBook ã William Gaddis Read The Recognitions 100 Words in Search of PrecisionThe purpose of both Religion and Alchemy is to realise PerfectionChristianity places an obstacle in

  6. says: The Recognitions [Pdf New]

    The Recognitions [Pdf New] William Gaddis ã 4 Download I’ve had The Recognitions on my horizon for some time What really spurred me on to read it was a fellow Goodreader; Bonnie whose review of this book is magnificent Sadly Bonnie died last year and I still miss her wit wisdom and perspicacity; she survives in her reviews and I would recommend you read her review of thisThis is not a book that you can pick up and casually read; it demands work of the reader Ho

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    The Recognitions [Pdf New] I found a great article onLITERARY STOCKHOLM SYNDROMEby Mark O'Connell which uses The Recognitions as its main example her

  8. says: The Recognitions [Pdf New] William Gaddis ã 4 Download Read The Recognitions

    William Gaddis ã 4 Download Free download È PDF, DOC, TXT or eBook ã William Gaddis Read The Recognitions Probably the best part of the The Recognitions is the very beginning The novel seems destined to unravel as an absolute m

  9. says: Read The Recognitions The Recognitions [Pdf New]

    The Recognitions [Pdf New] Read The Recognitions Overlong? Probably Grandiose? Almost certainly Brilliant? Most definitely This swollen acerbic cult classic bursts with such wild imagination vivid characterization and profound elouence that I couldn't help but love it Its many characters swirl in and out of each other's lives throughout the nearly thousand page text their paths a

  10. says: The Recognitions [Pdf New]

    The Recognitions [Pdf New] Gaddis’s first novel is a big ambitious thing a juggernaut overwhelming a planetary body’s worth of kinetic energy packed into its 956 pages “Planetary” is a descriptor I come back to again and again while

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Read The Recognitions

The Recognitions Read Í PDF, DOC, TXT or eBook To anticipate the spirit of both” The Recognitions is a masterwork about art and forgery and the increasingly thin line between the counterfeit and the fake Gaddis anticipates by almo. This book clearly influenced Pynchon and DFW and I would imagine Cormac McCarthy as well but it is pretty damn unreadable Looking behind The Recognitions many level that criticism at Ulysses Well Ulysses does reuire some work but the difference is that Stephen Daedalus as well as the Blooms are fantastic deeply moving and well drawn characters and we WANT to see them succeed In The Recognitions there is a plethora of characters but none of which I could have than a shred of sympathy for Otto is too pathetic Wyatt is too broken Recktail disappears before the endand the characters around the have amusing characteristics like the guy measuring the cracks in the ceiling but I was like so what As for comparing it to the next of post moderns I think that Pynchon tells a interesting story that DFW draws interesting characters and McCarthy doesn t overload his novels with 1000s of irrelevant charactersThe book is written as a triptych where for me the first part starts clean and becomes incoherent the second part is incoherent and the 3rd parts starts coherent and makes a tiny bit of sense at the end This generates uite a lot of stress to me as a readerThe term recognition is used a lot in part 1 and then disappears which left me a bit rudderlessI think this book is interesting only in the historical part it played in influencing other writers but as a standalone piece of art it does not hold much appeal

Free download È PDF, DOC, TXT or eBook ã William GaddisThe Recognitions

The Recognitions Read Í PDF, DOC, TXT or eBook St half a century the crisis of reality that we currently face where the real and the virtual are combining in alarming ways and the sources of legitimacy and power are often obscure to u. Probably the best part of the The Recognitions is the very beginning The novel seems destined to unravel as an absolute masterpiece after the evocative opening in Spain and small town New England followed by a uick stay in Paris before descending in the Dantean sense into New York City for the majority of the book But then it begins to meander while taking on a new agenda one less of allusion heavy storytelling than of society satire sans commentary Gaddis lets large swaths of the book unfold in dialogue with varying results in story telling clarity and appeal This change in focus isn t necessarily a bad thing but it outstays its welcome so that its initial power commences to slowly dissipate over a few hundred pages in the days just before Christmas 1949 along with any claims to sardonic subtlety Things pick back up when the major characters head out of New York to Europe and South America but ultimately the book either needed to say or stay shorter to achieve the level of impact and greatness to which its author aspired Regardless there s a lot to love the discussions of art of old masters of the 15th and 16th century Flemish variety is particularly fascinating and nuanced Big money art forgerytheft is one of those topics like religion sex and pirates that s interesting just becausejust because it is And when Gaddis is on with his dark humor he is on and is able to provoke plenty of wry smiles by cleverly deriding the religious the faux intellectual and the materialistic His writing style is cold but extravagant flowery but in a German sort of way Many sentences especially those at the beginning and the end of chapters are uirky and knotted reuiring a few minutes to unwind and comprehend something that I generally masochistically enjoy Further I m very sympathetic to Gaddis overarching point about falsity about the counterfeit nature of the world from which it s nearly impossible to escape into a life of integrity fueled deliberateness particularly given the excessive materialism advertising bullshitting that goes on Very sympathetic to this In fact I love the theme But it becomes repetitive and occasionally over obvious some of the absurd dialogue which can be very funny often devolves into a game of point and laugh at the idiot that eventually makes you and the author feel like the only genuine intelligent and well meaning people in the world Ie you get your ego stroked but well past the moment of climax until it becomes uncomfortable and even painful You are conditioned to see fakers forgers and counterfeiters everywhere and you will but you begin to realize that the book doesn t have much else to say And though it does take us on an interesting journey to another time and other places very little is suggested for avoiding the ever present trappings of a bullshit lifeMost of the large cast of characters exist to be mocked by Gaddis via their own unsubtle dialogue and while this provides a significant portion of the book s humor which unfortunately can disappear for hundreds of pages at time it gets tiresome Gaddis was clearly influenced by Proust s aims to document and expose certain social classes of his time and he attempts something similar to Proust s handling of the Faubourg Saint Germain with New York s post war Village art scenesters Multiple long parties pervade the book s middle section including one short by Proust standards that nears 100 pages and they consist mostly of dialogue designed to bring scorn upon the pseudo intellectual and the bourgeois The ethical incuriousness the intellectual vacancy and the self serving idiocy are soon fully apparent And then remain apparent Still Over and over Again And while this kind of thing can work in the right hands Proust s Gaddis writing talents while impressive aren t able to arouse and maintain the same level of interest in the characters and their petty lives We re left with a scathing and prescient indictment of a social class and movement but one that doesn t translate into the most compelling fiction Thankfully some of the novel s most memorable and inspiring characters come out of this uirky social group including my personal favorites Stanley the painfully na ve and devout Catholic who s working on an ambitious organ piece and Anselm the conflicted crawling and acne riddled wild card The criticisms mentioned so far have been relatively minor the real problems exist with the protagonists Recently I ve run into the dilemma of reviewing books that impressed me while leaving little room to fall in love Or accurately too much room a remoteness from the major characters and a lack of palpable humanity or believable human insight After spending hundreds of pages with Hal Incandenza from Infinite Jest or Tyrone Slothrop from Gravity s Rainbow I can t say that I got to know them or believe in them as real people with truly human concerns and motivations I didn t love hate like dislike or care much about them I can now add Wyatt Gwyon and even the recognizably human Otto from The Recognitions to this dubious list of protagonists from sprawling 20th century white man epics Wyatt like Slothrop after him is an unpredictable semi human someone to marvel at rather than learn from always maintaining a safe distance from the reader with his extraordinary talent and bizarrely antisocial behavior The failure to connect meaningfully with the protagonists in these novels is paradoxical given the time spent with them page by page A 200 page book with big type wide margins and healthy spacing can make me cry but The Recognitions s most prominent player feels as remote and inhuman as Keanu Reeves in That doesn t seem uite right I m not looking for visceral thrills here but I m also not reading fiction just to learn things about things I m trying to gain exposure to those with a gift for prying open humanity to look into some small part of its multifaceted and contradictory glory those who can maybe lead me toward piecing things together about me others that I m too stupid lazy or unaware to figure out on my own Unfortunately The Recognitions joins my growing shelf of impressive and impressively un emotive books Which isn t to say that this book or the two mentioned above don t have many rewarding or exciting aspects It rarely felt like a chore to read and I probably hold longer books to a higher standard if for no other reason than that they reuire a greater investment The fact that this book is good in so many ways serves to increase my disappointment with the characterization Wyatt the protagonist spends most of the book balancing on the edge of sanity while spewing hyper erudite musings on ancient religions and painting details in a mostly disconnected stuttering fashion His stream of consciousness often feels so divorced from sanity that it s complete gibberish to anyone without a serious background in ancient religions alchemy and other esoterica ie pretty much everyone Without the knowledge to contextualize Wyatt s or his father s mutterings these often read like foreign languages which I should point out are used uite liberally throughout the text Gaddis certainly doesn t wear his knowledge or sources lightly and a cynical person could say this untethered recondite regurgitation may have been employed to mask laziness or limited understanding on the part of the author Additionally and I don t say this lightly Gaddis use of language often leans toward the pretentious George Eliot if I remember correctly one of Gaddis literary heroes could have been speaking about Gaddis himself when she writes teasingly in Middlemarch Things never began with Mr Borthrop Trumbull they always commenced Without fail Gaddis substitutes commence for start or begin and it creates a somewhat strange if memorable reading experience One reason why some of the characters failed to work for me is that they seem to exist primarily to carry out the literary medieval magical and religious allusions in strikingly literal terms eg sex with a bull self castration Mithraism church service crucifixion animal sacrifice to pleaseplead with God which can feel overdone and distinctly inhuman Sure you could argue that these are the areas where the book bridges realism and modernism with postmodernism part of what makes this novel so uniue I m not sure that I d characterize this book mostly pre modern in feel as such a bridge and regardless this approach doesn t work While Gaddis derides a novelist overheard in Rome toward the end of the book who claims that his novel is written I just have to add the motivation I think that his own approach the exact opposite is eually problematic He started out attempting to rewrite Faust within the modern age and much of that story still exists in the text but in addition his characters freuently behave in ways that only make sense in the context of the sources that Gaddis weaves into the story This is backwards When Wyatt steals the gold bull from Valentine this should have been in service of the plot of The Recognitions It isn t really and confusion only subsides with a little allusive sleuthing the gold bull is a symbol of creative force breaking the egg to give birth to the earth and you realize later that this theft coincides with the end of Wyatt s amazing forgery work So his creative force is taken out of the service of Brown and Valentine perhaps to be recommenced elsewhere Clever but the action itself is simply bizarre and explained away as a seuela of Wyatt s temporary insanity This is the manner in which the plot often unfolds with characters in service of the novel s sources rather than the other way around Gaddis began with the motivation and forgot that living breathing characters were just as if not important It just occurred to me that there s probably a reason why this book is little known and little read even by cult epic standards Gravity s Rainbow and Ulysses are difficult and Infinite Jest is certainly longer but each of these books enjoys popularity than The Recognitions So while I think it s a good book its place or lack thereof in 20th century literature 55 years later is probably justified and unlikely to change significantly in the future I wouldn t try to talk anyone out of reading this but I d suggest you try many of the other books you re supposed to read from this century first As the The Recognitions itself suggests if you think that you may have stumbled upon a rarefied out of the way masterpiece a scenario that appears just too good to be truewellyes

William Gaddis ã 4 Download

The Recognitions Read Í PDF, DOC, TXT or eBook The book Jonathan Franzen dubbed the ur text of postwar fiction and the first great cultural critiue which even if Heller and Pynchon hadn't read it while composing Catch 22 and V managed. This book has me in its gripReading The Recognitions is like wandering in a labyrinth and around each corner there s a new revelation One feels a little lost at times but there are familiar sights Can we trust our guide Gaddis gives you the sense he knows the wayuntil he lets go of your handand pushes you into the darkness saying dilige et uod vis fac You must cling to those words because that s the only thread this Ariadne offers except for the follow up text message he sends btw thngs fal aprt We begin our recognitionsat the beginning The title It s a reference to a text mistakenly attributed to Pope Clement I One of the characters Basil Valentine later explains The what The Recognitions No it s Clement of Rome Mostly talk talk talk The young man s deepest concern is for the immortality of his soul he goes to Egypt to find the magicians and learn their secrets It s been referred to as the first Christian novel What Yes it s really the beginning of the whole Faust legendWhat can drive anyone to write novelThat s almost an outline of Gaddis s book too There s an apocryphal account that Clement was martyred thrown into the sea with an anchor tied around his neck The Recognitions revisits this in various ways with the reoccurring image of that tale about the sky being a sea the celestial sea and a man coming down a rope to undo an anchor that s gotten caught on a tombstone This novel is an exercise in recognitions within the text the characters ourselves Gaddis intended that we recognize and understand these references and allusions and apply their meaning to the overall story He has paid us a high compliment and respects us as thinking readers who are willing to work with himWhat writing is all about is what happens on the page between the reader and the page What I want is a collaboration really with the reader on the page where the reader is also making an effort is putting something of himself into it in the way of understanding in the way of helping to construct the fiction that I am giving him William Gaddis Albany April 4 1990The effort is worth it for this book is a delight But never mind it stands on its own even if we don t get all the references As Jonathan Franzen says about it Peel away the erudition and you have The Catcher in the Rye a grim winter sojourn in a seedy Manhattan a uest for authenticity in a phony modern worldThere s help with the erudition it s been enthusiastically annotatedGaddis has a style of writing that I easily respond to His themes are ones I want to read and think about Eliot and Dostoyevski are the most significant names here none of Gaddis s reviewers described The Recognitions as The Waste Land rewritten by Dostoyevski with additional dialogue by Ronald Firbank but that would be a accurate description than the Ulysses parallel so many of them harped upon Not only do Gaddis s novels contain dozens of whole lines lifted bodily from Eliot but The Recognitions can be read as an epic sermon using The Waste Land as its text The novel employs the same techniues of reference allusion collage multiple perspective and contrasting voices the same kinds of fire and water imagery drawn from religion and myth and both call for the same kinds of artistic moral and religious sensibilities Life proved terrible enough by the 1950s to produce in The Recognitions the most Russian novel in American literature Gaddis s love for nineteenth century Russian literature in general crops up in his novels his letters and in his few lectures where references are made to the major works of Dostoyevski Tolstoy especially the plays Gogol Turgenev Gorky Goncharov and Chekhov Gaddis shares with these authors not only their metaphysical concerns and often bizarre sense of humor but their nationalistic impulses as well William Gaddis by Steven MooreThe first few pages of The Recognitions are like a separate novel pared to its essentials Call it The Spanish Affair It s an account of the ship Purdue Victory Camilla Spain and Reverend Gwyon It ends with They never forgave him for not bringing the body home These pages sit in my memory like whole other books do The rest of the novel can be seen as the seuel The story continues with the son Wyatt We first meet him as a small disgruntled person four years old shocking his stern great Aunt May by exclaiming You re the by Goddest rabbit I ever damn saw I wanted to hug that child right there I love this unhappy mirror version of Christopher Robin IN WHICH WYATT EMPTIES THE POT ON WHICH HE MEDITATED FOR AN HOUR OR SO EACH MORNING INTO A FLOOR REGISTERThe old Aunt May who raises him is a hard woman yet oh she breaks one s heart too when she made things even her baking she kept the blinds closed in the butler s pantry when she frosted a cake nobody ever saw anything of hers until it was done The father Reverend Gwyon had the look of a man who was waiting for something which had happened long before buries himself in old obscured religious writingsbut the book most often taken from its place was Obras Completas de S Juan de la Cruz a volume large enough to hold a bottle of schnapps in the cavity cut ruthlessly out of the Dark Night of the SoulLater he falls under Mithra s spell Wyatt grows up warped by this upbringing He becomes the man who seems to believe that where there is God do not stay where there is no God run away as fast as you can He planned to enter the ministry but early on had found the Christian system suspect There s a long cast of characters that drift in and out and we lose sight of Wyatt for long stretches Names are changed Identities are mistaken Life and art are so entangled that their boundaries are not clear We constantly overhear fragments of conversations catch glimpses of the characters as they hurry by The frame of The Recognitions is forgery in culture religion art relationships sex business money Its subject is an examination of meaning what is real what is love what is God can we ever really know who we are The personage Wyatt was in part based on the real life infamous art forger Han van Meegeren His paintings are at best competent and without mystery or depth See if you agree from this sample And take a uiz Vermeer or Meegeren Meegeren made clumsy technical mistakes that should have alarmed the experts Copying masterpieces is now an industry in Southern China the world s leading center for mass produced works of art One village of artists exports about five million paintings every year most of them copies of famous masterpieces The fastest workers can paint up to 30 paintings a dayMillions of masterpieces churned out like cheap garmentssaid in the voice of an angry Dr McCoyWyatt I think was a better painter than all these starting with his copy of Bosch s table painting He carried its themes in his head too the ever watching eye of God and The Seven Deadly Sins The copy of this painting underscores one of the themes of The Recognitions the theme of forgery and it is asking what is original Is it even possible to be original That romantic disease originality all around we see originality of incompetent idiots they could draw nothing paint nothing just so the mess they make is originalEven two hundred years ago who wanted to be original to be original was to admit that you could not do a thing the right way so you could only do it your own way When you paint you do not try to be original only you think about your work how to make it better so you copy masters only masters for with each copy of a copy the form degeneratesyou do not invent shapes you know them atiswendig wissen Sie by heart And to carry the uestion further has mankind that master forger outdone the creator Each one of us is merely the latest link in the chain of human experience Everything we know believe have is founded on what has been passed down from the previous generations Religion culture music science art Nursery rhymes Jokes What claim to originality do we really have Everything is a collage built from previous works a blatant example being The WasteLand yes and The Recognitions too So we can search out the allusions and the bits and pieces directly copied from other writers Our understanding is deeper the experience is richer of course But the new work stands on its own Bosch s painting is also used to introduce the theme of existential meaning and purpose Its watchful eye of God raises a uestion does anything mean anything at all if it is not looked at by God Wyatt says Thisthesethe art historians and the critics talking about every object andeverything having its own form and density and its own character in Flemish paintings but is that all there is to it Do you know why everything does Because they found God everywhere There was nothing God did not watch over nothing and so thisand so in the painting every detail reflectsGod s concern with the most insignificant objects in life with everything because God did not relax for an instant then and neither could the painter then Do you get the perspective in this he demanded thrusting the rumpled reproduction before them There isn t any There isn t any single perspective like the camera eye the one we all look through now and call it realism thereI take five or six or tenthe Flemish painter took twenty perspectives if he wished and even in a small painting you can t include it all in your single vision your one miserable pair of eyes like you can a photograph like you can painting when itLike everything today is conscious of being looked at looked at by something else but not by God and that s the only way anything can have its own form and its own character andand shape and smell being looked at by GodThe cynic Basil Valentine replies Yes I remember your little talk your insane upside down apology for these pictures every figure and every object with its own presence its own consciousness because it was being looked at by God Do you know what it was What it really was that everything was so afraid so uncertain God saw it that it insisted its vanity on His eyes Fear fear pessimism and fear and depression everywhere the way it is today that s why your pictures are so cluttered with detail this terror of emptiness this absolute terror of space Because maybe God isn t watching Maybe he doesn t see Oh this pious cult of the Middle Ages Being looked at by God Is there a moment of faith in any of their work in one centimeter of canvas or is it vanity and fear the same decadence that surrounds us now A profound mistrust in God and they need every idea out where they can see it where they can get their hands on it Yourdetail he commenced to falter a little your Bouts was there ever a worse bourgeois than your Dierick Bouts and his damned details Talk to me of separate consciousness being looked at by God and then swear by all that s ugly image error

  • Paperback
  • 976
  • The Recognitions
  • William Gaddis
  • English
  • 13 January 2019
  • 9780140187083